It’s a custom that spans centuries, a exact and unrepeatable course of carried out utilizing a textile machine of which solely two examples exist in the present day: one preserved within the metropolis museum, the opposite — till just lately — contained in the one manufacturing unit nonetheless in operation. We’re talking of Casentino fabric, a material that’s not merely an merchandise of clothes, however the expression of a whole Tuscan tradition.

Arriving in the present day within the cities of the Casentino valley in quest of a coat means confronting a heavy silence. Many retailers are closed; others survive as finest they will. Some shopkeepers ask guests to go away a telephone quantity: “We’ll name you when the material returns to the manufacturing unit, after we’re capable of produce clothes once more.” It’s a fragile, suspended hope. Others vent brazenly, talking of despair, of regional help that solely goes up to now, of main investments promised by entrepreneurs that by no means materialized. Every thing now appears to have come to a standstill.

This paralysis has a exact title: the liquidation of the Manifattura del Casentino in Soci, close to Bibbiena. It was the final manufacturing unit on the earth able to producing the unique Casentino fabric, well-known for its vivid orange or deep inexperienced shade and its curled floor, created by a particular machine — the arricciatrice — and a physique of information handed down by generations. The final 13 staff have been laid off, and the historic equipment dangers being dismantled if no purchaser steps in in time.

Based within the nineteenth century, the Manifattura preserved a practice whose roots attain again to the Renaissance, when this tough, sturdy wool was used for monks’ habits and coachmen’s coats. Over time, it turned a logo of purposeful class, cherished by aristocrats, intellectuals, and style designers alike. Audrey Hepburn made it iconic by carrying it in Breakfast at Tiffany’s, sealing its place in style historical past.
The manufacturing unit’s closure is just not an remoted case however displays the broader disaster of Italy’s textile sector. After surviving the chapter of its earlier possession in 2022, the corporate struggled with hovering vitality prices, disruptions in uncooked materials provide attributable to world tensions, and the lack of key export markets akin to Russia. Revenues dropped dramatically, to the purpose that electrical energy was ultimately reduce off for unpaid payments. Liquidation turned inevitable.

The repercussions are spreading all through the valley. Native suppliers, artisans, and designers warn that the disappearance of the Manifattura might destroy a whole manufacturing chain. Even the Tessilnova mill in close by Stia, which equipped unfinished materials for closing processing, now sees its personal future in danger. The curling approach that provides Casentino fabric its soul can’t be replicated elsewhere: it requires particular equipment, uncommon experience, and distinctive environmental circumstances.

That is no minor element. The water used to realize these deep, long-lasting colours exists solely right here, the place the Arno River rises. It’s a delicate steadiness between territory, uncooked materials, and human data that no relocation can reproduce. Some firms, such because the internationally recognized model Tacs, which has a boutique in Florence, are searching for options elsewhere in Tuscany, however they acknowledge that the Casentino valley can not actually be replicated.
The loss, due to this fact, goes far past economics. The orange and inexperienced coats as soon as worn by kings, artists, and movie icons embodied a resilient Tuscany, able to mixing utility, magnificence, and identification. If no resolution is discovered within the coming weeks, the world will lose not only a product, however a dwelling heritage: a material that for greater than six centuries has woven collectively the historical past, panorama, and reminiscence of the Casentino valley.
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Eirini Lavrentiadou is an actress and singer, born in Thessaloniki in 1992. She lives in Florence, the place she educated on the metropolis’s Theatre Academy and the Fiesole Faculty of Music. She has carried out in classical Greek and European performs, labored with worldwide administrators and firms, and appeared in live shows starting from opera to jazz. She contributes to Florence Day by day Information as a author.
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